 Set of Mamiya 645 Sekor-C lenses, recently put together by myself, Cine mod (iris de-click, focus gears and 80mm front ring), and PL conversion by the legendary TLS. All optics are mint, all are the newer N series. Beautiful images on full frame sensors! Set includes 35mm f3.5, 45mm f2.8, 55mm f2.8, 80mm f1.9, 110mm f2.8, 150mm f3.5.

 Set of Zeiss Contax prime lenses, converted to EF mount, standardised front ring, focus and aperture gears, de clicked and dampened iris. See pics for focal lengths and stop. All glass in mint condition. 

 Set of Leica Rs, converted to EF mount, 80mm front rings, focus gears, iris de-clicked and dampened. See pics for focal lengths and aperture. Includes the wonderful 100mm 2.8 macro. All optics in mint condition.

Kit includes: 
Samyang 35mm T1.5 (EF Mount)

Kit includes: 
Samyang 14mm T3.1 (EF Mount)

Kit includes:
Samyang 85mm t1.5 (EF Mount)

The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35

Focal Length: 18-35mm, 50-100mm

Image Stabilisation: No

Lens Mount: Canon EF

Max Aperture: T2

Type: Cine, Video

Here is a beautiful custom set of Canon FD Vintage lenses I've been collecting over the past few years. Finding them in such pristine condition was tough, but the rewards are well worth it. 

I also have 4 x FD-NEX (Sony E mount adapters) so using these for any Sony E mount camera will be straightforward.

Lenses:

17mm f/4 (S.S.C) (c.1973)
28mm f/2.8 (nFD) (c.1979)
50mm f/1.4 (nFD) (c.1979)
135mm f/3.5 (S.C.) (c.1976)

All lenses are in great condition for their age and have no signs of fungus or haze. General wear and tear scratches are present on the outer casing of some of the lenses but nothing affecting optics. 

Within the glass dust specks are present here and there which is natural for lenses this old, but once more nothing that affects optical performance.

These lenses have great character and for shoots looking to achieve something different/vintage on a budget these are perfect. Im looking to acquire something in the long portrait range next! :) happy shooting!

OVERVIEW
The Samyang 85mm T1.5 is a manual focus prime lens. This VDSLR (Video DSLR) version has been developed primarily for professional cine / movie making purposes. The VDSLR version features follow focus gearing and decoupled aperture, which allow the user to smoothly and quietly change focus and aperture/depth of field whilst filming, and link to professional follow focus cam systems.
It is designed to give exceptional results at wide apertures. At T1.5 great images can be obtained, which is perfect for portraiture and low light shooting, particularly when mounted on a full frame DSLRs.

OVERVIEW
The Samyang 50mm T1.5 AS UMC VDSLR Cine Lens is the cine / video version of the Samyang 50 mm f1.4 AS UMC featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. This specially designed Samyang 50mm lens is full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor. 

The Samyang 50mm standard prime lens gives 46.2 degrees field of view with a fast aperture of T1.5 (f/1.4) for great low light videography / photography and shallow depth of field work. Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of 8 circular aperture blades makes it especially suited to film, where separation of the subject from the background is desired.

OVERVIEW
Wide Angle Manual Focus Cine Lens
Samyang Optics 35mm T1.5 VDSLR AS UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 35mm T1.5 VDSLR AS UMC II is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film much precisely. The lens operates in manual aperture system with low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
As Samyang 35mm photo lens does, this cine lens also has an outstanding optical function. Samyang 35mm T1.5 VDSLR AS UMC II features 12 lenses in 10 groups including 2 high refractive index lenses (HR) to compactify the size of lens and increase the sharpness. Glass aspherical lens (ASP) minimizes color aberration to realize exceptional image quality and high contrast for center and corner of image even when aperture is fully opened. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration and minimizes flare and ghost. Samyang 35mm T1.5 II is known for its beautiful and soft bokeh. It adapts floating lens system to find the minimum focus distance. There are 8 aperture blades designed to be almost as a full circle when aperture is closed which expresses starlike ray clearly and beautifully. 

Hardware Features
Samyang VDSLR lens can be used both in photography and cinematography, perfect for amateurs and professionals. The frame of Samyang 35mm T1.5 II is compact and solid since it is made of high-strength aluminum alloy so trustworthy images can be captured even under inferior environment. Also, detachable petal-shaped lens hood shelter the lens from unnecessary lights. Filter size is 77mm. 
Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

OVERVIEW
The Samyang 24mm T1.5 lens is a super-fast aperture lens designed for shooting high-quality video footage on full-frame and APS-C sensored DSLR cameras as well as professional camcorders. Optical construction is based on the super-sharp 24mm f1.4 lens, with 13 elements in 12 groups and 84 degrees field of view. However this ‘cinema’ version features gearing on the focus and aperture rings to allow follow focus and aperture control from a professional camera rig. The aperture ring is also stepless for smooth and continuous adjustment. Focus distance and aperture settings are clearly marked on the side of the lens barrel to allow easy reference when mounted on a tripod. The stated aperture of T1.5 refers to the actual light transmission of the lens and is particularly important in the film industry where light readings are normally made manually.

INCLUDES
16-35MM f/2.8L Lens
Lens hood
Carrier bag

TECH SPECS
Focal length
24mm

Aperture range
T1.5 - 22 (stepless, with gearing)

Angle of view
84 degrees diagonal

Minimum focus distance
0.25m

Number of diaphragm blades
8

Focus type
manual focus (with gearing)

Lens construction
13 elements in 12 groups (4 ED, 2 Aspherical)

Dimensions
87.5x83mm

Weight
565g

OVERVIEW
A small difference in optical performance makes photography even more pleasant.

Hybrid glass aspherical (H-ASP)
Glass aspherical lens (ASP)
High-refractive, extra low dispersion lens (HR ED)
Uncoupled aperture and focus gear ring
VDSLR II CINE LENS
Circular aperture with 8 blades

Wide Angle Manual Focus Cine Lens
Samyang Optics 14mm T3.1 VDSLR ED AS IF UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 14mm T3.1 VDSLR ED AS IF UMC II is carefully designed for professional film and video works so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
This lens features 14 lenses in 10 groups including 3 high-refractive and extra low dispersion lenses (HR ED), 1 hybrid aspherical lens (H-ASP) and 1 glass aspherical lens (ASP). H-ASP and ASP lenses minimize colour aberration to produce exceptional image quality and high contrast for center and corner of the image even when the aperture is fully opened. HR ED lens of 14mm T3.1 VDSLR ED AS IF UMC II effectively controls the light dispersion to prevent flare and ghost. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration to also minimize flare and ghost.

Hardware Features
The frame of Samyang 14mm T3.1 II is compact and solid since it is made of high-strength aluminium alloy so trustworthy images can be captured even in an inferior environment. Also, a detachable petal-shaped lens hood shelters the lens from unnecessary lights. Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

Samyang Optics VDSLR lens line
Samyang 14mm T3.1 II is one of Samyang Optics VDSLR lens line for full frame image sensor size. The lenses produce the same image colour and have a united location of aperture and focus gear ring to maximize the convenience when filming.

OVERVIEW
The Samyang 135mm T2.2ED UMC VDSLR Cine Lens is the cine/video version of the Samyang 135mm f2.0 ED UMC lens featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. Full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor.

The Samyang 135mm features a floating type design, one Extra-low dispersion lens element (ED) for maximum optical performance. A circular aperture of T2.2 with 9 blades offer great bokeh for close head and shoulder portrait work and short telephoto. To ensure high contrast and faithful colour reproduction, all lens elements have been covered with Samyang's multi-layered UMC anti-reflective coatings. The design and lens coatings offer impressively low chromatic aberrations, ghosting and flare.

Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of the 9 circular aperture blades make it especially suited to film, where the separation of the subject from the background is desired.

This is the Samyang 100mm macro lens with EF mount

if you would like any other additional hires with this lens please get in touch.

This hire comes with:
Samyang 100mm Macro lens
lens box/case (where apropriate)

(the images were taken by myself and are not from the internet)

This is the Samyang 85mm cine lens with EF mount

if you would like any other additional hires with this lens please get in touch.

This hire comes with:

Samyang 85mm Cine lens
lens box/case (where apropriate)

(the images were taken by myself and are not from the internet)

This is the Samyang 35 mm cine lens with EF mount

if you would like any other additional hires with this lens please get in touch.

This hire comes with:

Samyang 35mm Cine lens
lens box/case (where apropriate)

(the images were taken by myself and are not from the internet)

This is the Samyang 24mm cine lens with EF mount

if you would like any other additional hires with this lens please get in touch.

This hire comes with:

Samyang 24mm Cine lens
lens box/case (where apropriate)

(the images were taken by myself and are not from the internet)

This is a great selection of lenses from 10mm - 100mm

This hire comes with:

10 - 20mm Sigma  f4 - 5.6
14mm Samyang T3.1
24mm Samyang T1.5
35mm Saymang T1.5
85mm Samyang T1.5
100mm Samyang T3.1
lens carry case

(the images were taken by myself and are not from the internet)

Really great EF mount lens, ideal for portraits. Produces a beautiful shallow depth of field when stopped all the way down to f1.5. 

Can provide an SLR magic 77mm variable ND filter for a small fee if needed, just ask. 

Aivascope 1.5x Anamorphic lens. Amber flare. 

Common taking lenses are Canon FDs and Contax Zeiss etc. 

Comes with case, and step down/step up rings to fit any taking lens. 

Will work on FF camera from 50mm and up, and on S35 from 35mm (with a bit of edge darkness) 

I also have a full set of Canon FD cine lenses which this pairs amazingly with. 

https://aivascope.ecwid.com/PRE-ORDER-Aivascope-1-5X-amber-flare-anamorphic-lens-p263493983

Set includes:  
1x VESPID Prime 25mm T2.1 Lens Arri PL Mount
1x VESPID Prime 50mm T2.1 Lens Arri PL Mount
1x VESPID Prime 90mm Macro T2.1 Lens Arri PL Mount
1x Hard Case

Check out our other items for multiple order discounts.

VAT invoices available upon request. 

Delivery available within Bristol.

OVERVIEW
A full set of 6 Samyang VDSLR MkII Cine lenses, consisting of 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5,85mm T1.5 and 135mm T2.2 lenses. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage.

INCLUDES
1x 14mm T3.1 VDSLR lens
1x 24mm T1.5 VDSLR lens
1x 35mm T1.5 VDSLR lens
1x 50mm T1.5 VDSLR lens
1x 85mm T1.5 VDSLR lens
1x 135mm T2.2 VDSLR lens
1x Custom Case

Canon RF 35mm f1.8 IS Macro STM Lens

Prime Lens at 35mm. Great for low light with stabilisation

Be aware this is a brand new item - No scratches or damage as seen in photos

The Sigma 10-20mm f/4-5.6 EX DC HSM, Canon EF-S Fit lens offers a unique focal range for the photographer looking to get everything in frame. Ideal for landscape work..

Arri 11-110MM S16 Zeiss Zoom PL T2.2

Versatile and fun lens! I have used it extensively on my Arri SR2 but also on Alexa Amira & Minis in S16 crop and on GH5 & BMPCC4K.

I have included x1 shot on amira and x2 shot on s16mm film screengrabs.

Set of Canon FD cine modded lens's.

These are all the SSC coating versions of the lenses, much like their bigger K35 brothers. 

Expect edge softness, low contrast and warmth. A great pairing with most mega sharp high def image sensors. 

All have been hard EF mount modded, so no need to adding crappy adapters into the mix etc, straight on with new EF mounts. All apatures have been declicked, and they all have the same 80mm front ring and 77mm internal screw filter thread and seamless focus gears. (Which I hadnt yet fitted when I took the current photos) 

The kit consists of the following lenses:

17mm F4 ssc
24mm F2.8 ssc
35mm F2 ssc
50mm F1.4 ssc
85mm 1.8 ssc

The 25/35/50/85 are optically perfect. No scratches, fungus or mould in the lens at all, I searched hard for perfect examples. 

The 17mm is optically perfect, but interesting... it has the AR SSC coating removed on the front element, but still has it on the rear element. This was thanks to the front coating having some patchy damage and so now the image is clean and uniform, but it does flare a lot which is wicked (in my opinion and that of a few friends who have used it too, see photo of reviews)

Here are links to three films shot on my exact set of lenses: 

https://www.youtube.com/watch?v=hDC8TLUAFNo
https://www.youtube.com/watch?v=qH3DdOUITrs&t=113s
https://vimeo.com/544506596

Based in Bristol. 

Thanks,

Jacob

PS: I also have an Aivascope Anamorphic lens 1.5x which works amazingly with these FDs as taking lenses. On full frame the 50 & 85 work great with no vingetting, and on S35 the 35mm also works with a bit of vingetting. 

Sony FE 1.8 50mm E mount lens.

Very good condition. No scratches on lens.

Samyang 14mm Cine Prime. T3.1, and geared focus and aperture rings. EF Mount, with both end caps. 

Mamiya 645 PL Mount lens set

Description

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Item lent by Matthew

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Mamiya 645 PL Mount lens set

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