Canon EFS 10-18mm Lens, Wide Angle Lens, great for capturing landscape photographs, great for capturing wide angle videos.

Koolertron Slider 60cm with ball head attached, as shown in photos. Comes with Allen key to unscrew legs.

Rode VideoMic Pro

Latest mic from Rode. Mount it on top of your DSLR. Great for vlogging and better audio.

Comes with Rode Windshield to shield against wind noise. Includes 9V battery.

Zoom H4N audio recorder - comes with case,  windshield, foam mic head, mic handle, USB cable, mini tripod,  carry case, clean 8GB SD cardand fresh 2x AA batteries. 

Perfect for recording external audio when doing DSLR videography.

Please note: the screen has a hairline crack, but doesn't affect it working.

This small mixer is great for anyone who needs stereo line inputs plus up to two mics. The Alto ZMX862 would make a good mixer for a DJ, an acoustic solo or duo act or dual singers with a backing track on a CD/MP3 player. 

Comes with power cable.

Canon 50mm lens 1.8 comes with lens hood and UV filter to protect the glass.

An amazing DSLR Shoulder Rig offering a variety of positions for getting stabilised shots and eliminate camera shakes.

Check out my other listings as I have plenty of other camera items.

Canon 550D (cropped sensor)camera, 16GB SD card, battery charger, kit lens (Canon EF-S 18-55mm), battery grip and extra battery, bag, other lenses available - please check my other listings 

Easy to operate, for use with DSLR’s and Mirrorless Cameras between 1.5 to 3.7lbs. Comes with case, batteries, mini usb charging cable and UK plug.

Kit includes: 
Canon 50mm f1.2 (EF Mount)
Lens bag

Kit includes: 
Canon 24-105mm f4 (EF Mount)
Lens Bag

Excellent new condition. Comes with lens hood and UV filter 

A professional-quality standard zoom that offers superlative image quality and a fast f/2.8 maximum aperture throughout its zoom range. The perfect companion to any full-frame EOS camera.<br/><br/><p>&nbsp;</p><hr><h3>Canon EF 24-70mm f2.8L II USM Lens</h3><p>The Gold Standard in professional zoom the 24-70 is&nbsp;a must for any full-frame photographer's kit bag. Useful in any environment or on any assignment you can count on the 24-70 to deliver&nbsp;crisp imagery time after time.&nbsp;&nbsp;</p>

The EF 70-200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use. It has a rugged durable design, a four-stop Image Stabilizer and specialised lens elements.

A professional-quality standard zoom that offers outstanding image quality and a fast f/2.8 aperture throughout its zoom range. This L-series lens has a reputation among professional photographers as being the go-to zoom lens, thanks to it’s sharp optics and ability to be used in almost any environment. The perfect companion to any full-frame EOS camera.

This robust L-series 70-200mm telephoto zoom lens is a favourite with professional photographers, a modern classic redesigned, it’s now even better in bright light and engineered to perform in the most challenging conditions. A maximum f/2.8 aperture offers plenty of control over depth of field and – in combination with a 3.5-stop Image Stabilizer to counteract natural camera shake – makes low-light photography simple. Image quality is excellent, with superb sharpness right across the frame, a great choice for our highest resolution EOS cameras.

The Canon EF 100mm f/2.8L Macro IS USM lens is the first macro lens in the EOS line-up to feature Image Stabilisation, making it easy for photographers to capture amazing close-up shots without the need for a tripod. Its 9-blade circular aperture delivers beautiful background bokeh, and its construction is made up of 15 lens elements in 12 groups. This macro lens is water- and dust-resistant.

 Canon 8-15mm f/4 Fish eye lens. Amazing for real wide angle shots especially for live concert photography. 

Canon EF 50mm f/1.4 USM. Fast maximum aperture and rapid focusing system, very compact lens. 

The Sigma 14mm F1.8 DG HSM Art is the world’s first F1.8 prime lens at the 14mm focal length. In taking photographs of starry skies or other celestial scenes at night, a large-diameter lens is a strong ally, since it allows the capture of a moving subject by adjusting shutter speed without relying on ISO sensitivity. With its full-frame 35mm coverage, 14mm focal length for an ultra-wide angle of view, F2 barrier-breaking F1.8, the SIGMA 14mm F1.8 DG HSM | Art is the true high-speed ultra-wide-angle lens for which so many photographers have been waiting. This fast, wide prime features a large spherical element to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal comma flare. 

The 35mm SLR / DSLR format wide-angle photographic lens MC TS-PC HARTBLEI 35mm / f=2.8 Super-Rotator has been designed for the professional photographers.
Hartblei™ Tilt-Shift Lens Super-Rotator® was developed on demand of both photographers and movie makers giving the possibility to rotate the directions of the 8° tilt (with 1-degree-step) and 12mm shift independently of each other.
Hartblei™ Super-Rotator® shares many qualities, which are necessary in commercial, scientific and industrial photographical artworks. Because Hartblei™ Super-Rotator® is originally designed for middle-format systems, the provided image circle is much larger than a full frame sensor (24x36mm).
According to your needs you have big choice of applications such as
• Perspective correction or distortion
• Architectural artwork
• Indoor artwork
• Macro artwork
• Commercial video
• Panoramic picture (36mm (sensor size) + 12mm * 2 (right/left shift) = 60mm image size)

Moreover, Hartblei™ Super-Rotator® gives the possibility to make pictures or videos under the conditions, which are typically not suitable for normal photography, like narrow space locations and non-desirable reflections, i.e. appearing the reflection of photographic equipment in the mirror. 

Manufacturer description: This large aperture medium telephoto macro lens offers advanced performance of close-up photography. Sigma’s own proprietary OS (Optical Stabilizer) system enables handheld close-up photography.A Special Low Dispersion (SLD) lens and one high refractive index SLD lens provide excellent correction for all types of aberration and distortion.A floating focusing system moves two different lens groups in the optical path to different positions. This system compensates for astigmatic aberration and spherical aberration and provides extremely high optical performance from infinity to 1:1 Macro. he HSM (Hyper Sonic Motor) ensures quiet and high speed autofocus as well as full-time manual focus capability. This lens features a splash proof design for use in harsh conditions and a rounded 9 blade diaphragm creating an attractive blur to the out of focus areas of the image.

This super-wide-angle lens is ensured minimal light-fall-off with superior peripheral brightness. The iris diaphragm has 9 diaphragm blades to obtain beautiful out of focus images in the foreground and background. This is an ideal DG lens optimised Digital SLR camera.

The minimum focusing distance of this lens is 20cm and it has maximum magnification of 1:4 with fast F1.8 maximum aperture. The minimum focusing distance of 20cm and 94.5 degree angle of view allow close-up photography surrounding the photographic subject.

The lens incorporates a Dual-Focus (DF) mechanism. It is easy to hold the lens, since the focusing ring does not rotate during auto-focus, yet it provides adequate focusing torque of the focusing ring during manual focusing of the lens. The rear focus system eliminates the need for the front of the lens to rotate, thus allowing the use of a "Petal-type hood", which is superior light blocking effect.

The use of aspherical lens elements in both of the front and rear lens groups effectively compensates for distortion, spherical aberration and astigmatism.

The SIGMA 30mm F1.4 DC HSM, the large-aperture standard lens with an angle of view equivalent to 45mm on a 35mm camera, is a superb go-to lens for artistic photography on an APS-C format digital SLR. Offering a bright F1.4 aperture and an angle of view extremely close to that of human vision, this lens is ideal for many different types of photographic expression. Featuring an advanced design and the latest manufacturing technologies, the SIGMA 30mm F1.4 DC HSM delivers the highest level of image quality worthy of SIGMA's Art line. The photographer can leverage the shallow depth of field that creates beautiful bokeh for portraits, landscapes, and many different styles of photography.

A ultra wide angle zoom lens incorporates the latest optical design and provides superior performance. FLD (F Low Dispersion) glass elements, which have performance equal to fluorite, and SLD (Special Low Dispersion) glass elements provide excellent correction of colour aberration. Aspherical lenses give advanced performance with a compact and lightweight construction and ensure high image quality throughout the entire zoom range. The Super Multi-Layer Coating reduces flare and ghosting and incorporation of HSM ensures quiet and high speed autofocus as well as full-time manual focus capability. This lens has superior peripheral brightness and provides sharp and high contrast images even at the maximum apertures.

This 20-40mm f2.8 EX Aspherical DG DF lens provides f2.8 large maximum aperture for all focal lengths between ultra-wide angle 20mm to 40mm. The lens has minimum focus distance of 11.8 inches (30cm) at all focal lengths and maximum magnification is 1: 4.6. It incorporates aspherical lenses in the front lens group and rear lens group to minimize distortion, astigmatism and spherical aberration. The lens is equipped with a DF (Dual Focus) mechanism and also an IF (Inner Focus) system. It is easy to hold the lens during shooting, since the focusing ring does not rotate during auto focusing, and yet it provides adequate dampening of the focusing ring during manual focusing of the lens. This lens is designed to be desirable for both digital SLR cameras and conventional 35mm SLR camera. Sigma s 20-40mm f2.8 EX Aspherical DG DF lens is equipped with a removable type lens hood (Petal shaped hood) to prevent extraneous light harmful for image quality.

Recently, DSLR cameras have been evolving rapidly, and more and more photographers have been seeking a lens that can bring out the potential of a high-resolution sensor. There are occasions when photographers select zoom lenses as they offer more convenience than a fixed focal length lens, yet they do not want to compromise on image quality. SIGMA has long tackled this task to provide excellent quality images for such occasions. We are proud that SIGMA 24-105mm F4 DG OS HSM meets these requirements and is the standard zoom lens from our "Art" line, offering stable and fine image quality from wide to mid-telephoto range. It has a combination of fixed aperture and a good zoom ratio that we kept as high as possible. Many simulations were carried out before achieving this goal, and made the specification compatible with 35mm full size image sensors. Moreover, it was designed to surpass the quality inspection of the original MTF measuring system, A1, so it has succeeded in creating superior image quality for new standard of high-spec cameras. This lens incorporates the OS function and minimizes camera shake effectively.

A 10x high zoom ratio ultra telephoto zoom lens incorporating Sigma's original Optical Stabiliser function. This lens covers a wide range of focal lengths from 50 mm-500 mm ultra telephoto

The optical stabiliser function allows the use of shutter speeds approximately 4 stops slower than would otherwise be possible

As compensation for camera shake is visable in the viewfinder the photographer can easily check for accurate focus and ensure there is no subject movement

Maximum magnification of 1:3.1 (at 200 mm) makes this lens ideal for close up photography

Super Multi-Layer Coating reduces flare and ghosting and ensures high image quality

Petal shaped lens hood to block out extraneous light

The filter size of this lens is 95 mm and the lens is supplied with a step down ring enabling digital cameras with APS-C image sensors to use an 86 mm filter

Superior performance redesigned to meet photographers’ needs. Introducing a precise and powerful large-aperture 300mm telephoto zoom. This lens combines the highest levels of optical performance and photographic expression with equally fine functionality and usability. It embodies the concept of the Sports line, which features outstanding action-capture performance. Fully customizable, it allows the photographer to create his or own specification. It is an ideal choice for photographing sports events, animals and natural environments, airplanes, motorsports and even portraits. It greatly empowers photographic expression, allowing photographers to capture those crucial shots.

Diaphragm Blades:9, Mounting Type:Canon EF, Min Focus Distance:1.3 m, Filter Size:77 mm, Special Functions:Tele, zoom, Zoom Adjustment:Manual, Minimum Aperture:F/32, Lens Construction:23 group(s) / 17 element(s), Type:Telephoto zoom lens, Lens Aperture:F/2.8, Features:Full-time manual focusing, splashproof, LD glass, Utrasonic Silent Drive (USD), VC (Vibration Compensation), XLD (Extra Low Dispersion) glass, Focal Length:70 mm - 200 mm, Magnification:1 / 8, Max View Angle:34.3 degree(s), Image Stabiliser:Optical, Focus Adjustment:Automatic, manual, Intended For:35mm SLR, digital SLR, Optical Zoom:2.9 x, Min View Angle:12.3 degree(s), Included Accessories:Lens hood, dust cap, lens cap

Tamron's SP 24-70mm is a high quality, highly functional, high speed standard zoom lens covering the 24-70mm focal range. It includes both Tamron's proprietary VC (Vibration Compensation) Image stabilization to reduce shake and its USD (Ultrasonic Silent Drive) motor, enabling speedy yet silent autofocusing.

This SP (Super Performance) series lens makes full use of specialized glass elements in its lens layout, designed with top priority on image quality, including three LD elements and two XR (Extra Refractive Index) elements.

Tamron has minimized all types of chromatic aberration in the SP 24-70mm, making it a lens at the top of its class whether you use it on a digital APS-C, full frame, or 35mm SLR camera.

The SP 24-70mm F/2.8 aperture enables a balance between brilliant resolution and beautiful soft blur effects. This ideal lens makes full use of Tamron's rounded diaphragm and the uncontrived, artistic blur that it provides. It is also Tamron's first lens to feature our new moisture-resistant construction.

Portraits, Landscapes, Studio Shoots, this is the lens for them all.

Capture the finest details of your images in precisely the way you have always wanted to and extend your art to the limits of your inspiration with the Tamron SP 24-70mm.

 The 35mm SLR / DSLR format photographic lens MC TS-PC HARTBLEI 80mm / f=2.8 Super-Rotator has been designed for the professional photographers.
   Hartblei™ Tilt-Shift Lens Super-Rotator® was developed on demand of both photographers and movie makers giving the possibility to rotate the directions of the 8° tilt (with 1-degree-step) and 12mm shift independently of each other.
Hartblei™ Super-Rotator® shares many qualities, which are necessary in commercial, scientific and industrial photographical artworks. Because Hartblei™ Super-Rotator® is originally designed for middle-format systems, the provided image circle is much larger than a full frame sensor (24x36mm).
According to your needs you have big choice of applications such as
•       Perspective correction or distortion
•       Architectural artwork
•       Indoor artwork
•       Macro artwork
•       Commercial video
•       Panoramic picture (36mm (sensor size) + 12mm * 2 (right/left shift) = 60mm image size)

   Moreover, Hartblei™ Super-Rotator® gives the possibility to make pictures or videos under the conditions, which are typically not suitable for normal photography, like narrow space locations and non-desirable reflections, i.e. appearing the reflection of photographic equipment in the mirror.

Capture the wider picture with Tamron's ultra-wide-angle 15-30mm f2.8 lens for Full-Frame and smaller sensors. Incorporating professional features such as Tamron's proprietary VC (Vibration Compensation) optical image stabilization, a constant f2.8 aperture throughout the zoom range, whisper quiet and super fast USD (Ultrasonic silent drive) focusing as well as a water & dirt repellent Fluorine coating on the new XGM (expanded glass moulded aspherical) front element. This Ultra Wide Angle 15-30mm zoom lens continues Tamron's development of lenses for professional photographers and enthusiasts, adding an ultra-wide-angle solution to their line-up of pro-quality optics for pro DSLR users.

This is the first macro photo lens designed to achieve a high magnification greater than 1x without additional accessories. It is ideal for small subjects. The newly designed optical formula and UD-glass elements suppress chromatic aberrations which become apparent at high magnifications.

Canon L-Series Lens Set of Three:

Canon 1.2 50mm L-Series

Canon 24-70mm L-Series

Canon 70-200mm L-Series

Medium format lens converted into a Canon Tilt-shift telephoto. For manipulation of depth of field and perspective effects. Tilt and shift can be rotated, but are fixed at right angles to one-another. 

The nifty fifty. Great for portraiture and night photography. For Canon EF mount.

This 50mm Canon lens is a fantastic lightweight lens. With a fast f1.4 aperture this lens excels in low light offering fantastically sharp images at a normal focal length. Partnered with a full-frame camera this is a great all-rounder. The low-weight means that it can be carried all day with no issues. On a APS-C crop body the lens is a great traditional portrait length. The fast aperture gives fantastic background bokeh blur when shooting wide open. Lens comes with lens and body caps.

EF Mount L-Series Lens
Aperture Range: f/1.2-16
Aspherical Lens Element
Ultrasonic Autofocus Motor
Manual Focus Override
Minimum Focus Distance: 18"
Depth of Field Scale and Infrared Index
Tight Seal Structure Resists Moisture
72mm Filter Thread Diameter

A unique telephoto offering close focus control along with perspective control capabilities the TS-E 135mm f/4L Macro from Canon is a tilt-shift lens well-suited for studio, product, and tabletop photography. Up to +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.6' and a maximum magnification of 0.5x are also benefitted by the range of movements for more control over depth of field when photographing close-up subjects.
Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations for high clarity. Individual elements also feature a Subwavelength Coating to suppress flare and ghosting for greater contrast and color neutrality.
Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.
Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.


This lens is a fantastic all-rounder, covering wide-angle to short telephoto ranges. Excellent as a lens to keep on the camera for run and gun film work and when there isn’t the opportunity to take a selection of lenses. With built-in image stabilisation the lens works well in low light. A constant aperture of f4 means that it is not necessary to adjust exposure when adjusting the focal length of the lens. The lens comes with a UV filter to protect the front element and a lens hood to help minimise flaring and ghosting.


This Canon ultra wide angle lens has a constant aperture of f4 throughout the zoom range. Solid built L series lens with weather sealing to keep moisture and dust at bay. A solid lens great for landscape and photojournalism. Great full frame lens but also shines when mounted to an APS-C crop sensor the lens provides an excellent normal zoom range. Comes with 77mm UV filter to protect front element, a petal lens hood and dust cap.

The TS-E 90mm f/2.8 Tilt-Shift Lens from Canon is a telephoto length manual focus lens for EF mount cameras with a 27º diagonal angle of view on full frame cameras. It provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in portrait and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.
The tilt-shift function on the 90mm f/2.8 lens allows adjustment of the focal plane by an angle of +/-8º and enables parallel shift of the optical axis by +/-11mm. Both tilt and shift can be engaged singly and in combination. The lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.

This is a Tilt and Shift lens TS-E45mm 2.8

- Focal length and maximum aperture: 45 mm f2.8
- Lens construction: 10 elements in 9 groups
- Diagonal angle of view: 51°
- Focus adjustment: Manual focus, rear focusing system
- Closest focusing distance: 0.4m / 1.3ft
- Filter size: 72mm

Normal lens featuring tilt and shift movements. The floating system, and rear focusing give sharp and stable delineation from 0.4 m to infinity. The 45 mm focal length is ideal for obtaining a natural looking perspective.
Other Characteristics:
Closest focusing distance: 0.4 m
Colour of product: Black
Diagonal angle of view (max): 51°
Diameter: 8.1 cm
Filter size: 7.2 cm
Fixed focal length: 4.5 cm
Length: 9.01 cm
Lens structure (elements/groups): 10/9
Magnification: 0.16x
Manual focus: Yes
Maximum aperture number: 22
Number of diaphragm blades: 8
Weight: 645 g

Expanding the possibilities for tilt and shift photography
The TS-E 24 mm f/3.5L II allows tilt and shift movements to be made independently of each other. This means perspective and depth of field can be controlled separately, vastly enhancing lens flexibility.

Widest range of movement
A wide-angle focal length of 24mm, combined with ±8.5° of tilt and ±12mm shift makes the TS-E 24mm f/3.5L II a versatile optic. Furthermore, ±90° of rotation on both the tilt and the shift mechanisms is available. The lens also features locks on the tilt and shift mechanisms to ensure unwanted movements are avoided.

High precision lens elements
A high-precision, large-diameter moulded glass aspherical lens element gives outstanding edge-to-edge resolution and low distortion. Chromatic aberration – common in wide-angle shooting – is combated by four UD (ultra low-dispersion) elements.

Subwavelength structure coating
Designed for use in digital photography, Canon’s patented lens element coating helps minimise the ghosting and flare caused by internal reflection and helps to deliver crisp, clear images.

The TS-E 17mm f/4L Tilt-Shift Lens from Canon is an ultra wide-angle manual focus lens for EF mount cameras with a 104º diagonal angle of view on full frame cameras. It is the widest tilt-shift lens in the Canon lineup and provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in architecture, landscape, and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.
The tilt-shift function on the 17mm f/4 lens allows adjustment of the focal plane by an angle of +/-6.5º and enables parallel shift of the optical axis by +/-12mm. Both tilt and shift can be engaged singly and in combination. The tilt-shift rotation mechanism locks at right angle and at parallel and clicks at 45º and the lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.
Being a Canon L-series lens, its optical design and physical structure are optimal. Aspherical and ultra-low dispersion lens elements suppress aberrations and provide sharp delineation. Subwavelength Structure Coating (SWC) reduces ghosting and flare and truly circular diaphragm results in pleasing out-of-focus backgrounds. The focus ring on the lens provides precise manual focus action and the improved tilt and shift knobs are sturdy and smoothly control the mechanisms.

A versatile fisheye zoom lens offering a choice of full frame or circular image. The EF 8-15mm f/4L Fisheye USM is part of Canon’s high performance L series lenses and delivers fantastic image quality, even with such a wide angle view.

Circular or full frame Fisheye zoom lens
There’s no need to buy two specialist lenses when the EF 8-15mm f/4L Fisheye USM offers, either full frame or circular fisheye images when used with cameras with a 24x36mm (full frame) sensor. For photographers shooting with DSLR’s with a smaller sensor, full frame fisheye images are possible. With a 180 diagonal field of view, capturing the whole scene in a single image has never been easier.

L-series quality
The L-series is Canon's flagship professional lens range, representing the best in precision-designed EF optics. L-series lenses combine superior performance with superlative handling, and are highly resistant to dust and moisture.

Fast, quiet auto focus
A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and optimised AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF mode.

Enhanced image quality with SWC coating
Designed for use in digital photography, Canon’s patented Subwavelength structure coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause, the coating reduces reflections and helps to deliver crisp, clear images.

Canon EFS 10-18mm Lens

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Canon EFS 10-18mm Lens

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